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L’allestimento si presenta come un ostacolo-labirinto, gli spazi vengono deformati per suggestionare i fruitori della mostra a seguire un determinato percorso, che trova ulteriori compressioni o ampie aperture, rispettivamente come nelle calli più strette o nei campi veneziani, in modo che ognuna delle opere realizzate trovi lo spazio più adatto. Due sono i temi dell’allestimento: l’angoscia inconscia dovuta al controllo e il divertimento provocato da un’affascinate perdita di riferimenti.